The Use of Personification in Story-Telling
By WR!TERS@WORK
By WR!TERS@WORK
Personification is a powerful literary device that involves giving human qualities to nonhuman objects or animals. Personifying elements of a story is one of many methods that WRITERS AT WORK students can utilise to create more engaging and relatable stories. WRITERS AT WORK is an education centre offering some of the best English creative writing courses for primary and secondary school students in Singapore with proven results.
WRITERS AT WORK students will know that personifying elements in a story can help breathe life into their writing by imbuing non-human entities with human-like attributes. This technique allows readers to form stronger connections with the narrative with more humanly relatable descriptions on a personal level. The use of this device injects personality and charm into the writing, making it more appealing and memorable.
Examples:
1. She laid down on the weary, exhausted bed.
2. The sun-kissed oranges beckoned from across the yard.
3. The auntie’s menacing stare threatened to eradicate me if I hadn’t let her go first.
4. The stars winked in the night sky.
In the first example, the bed is described as weary and exhausted, possibly just as much as its owner. The second example gives fruit the ability to call out to us as though they had powers of attraction. The auntie’s stare is so violent they might very well be wearing boxing gloves. Stars, having no eyes, cannot wink. But when you see this phrase, you know that they’re twinkling.
Authors harness the power of natural elements like the wind and trees to breathe life into their stories. Enveloped by the playful caress of the wind, ordinary settings transform into magical realms filled with whimsy and wonder. The gentle breeze whispers secrets as it dances through the pages, inviting readers to lose themselves in a world painted with vivid imagery.
Through skillful depiction, authors weave these natural elements seamlessly into their storytelling tapestry, infusing every scene with emotion and atmosphere. As readers immerse themselves in these evocative descriptions, they find themselves transported to ethereal landscapes where reality blurs with fantasy.
From a simple whisper in the wind to the haunting creaking of old trees, these details enrich the reader’s experience and make the story come alive in vibrant hues. This literary device not only makes the story more captivating but also helps convey deeper meanings or themes through symbolic representation. Ultimately, personification enriches the narrative by infusing it with personality and charm, making it more appealing and memorable to readers.
A simple forest can transform into a mystical kingdom, where the trees whisper secrets and the wind dances gracefully. Readers are drawn into this enchanting world, where emotions come alive and scenes unfold like a living tableau.
A storm becomes a fierce warrior battling against the calm sky, lightning strikes like powerful swords flashing in the darkness. Suddenly, nature is not just elements but characters with personalities and intentions.
Through personification, mundane settings become magical realms teeming with possibilities. It isn’t just about what is seen but also felt and understood on a deeper level. It serves as a creative tool for authors to convey complex ideas in a visually captivating manner through the embodiment of characteristics typically associated with humans, opening doors to imagination and emotion.
However, overusing it may lead to a disjointed narrative or confuse your writing style. It’s important to remember that personification is most impactful when used judiciously to evoke specific emotions or enhance visualisations for the reader. That’s where WRITERS AT WORK’s educators can help guide students in considering the context and purpose of the scene or scenario. While personifying objects or abstract concepts can add depth and emotion to your work, it’s equally crucial to ensure that this literary device aligns with the style of your piece.
WRITERS AT WORK seeks to make students better learners through organisation skills, reflection, and understanding of how we process information. Are the PSLE or O Level English exams on the horizon? Let us take care of your child’s English results! Join us at our tuition centres to be a part of the best English enrichment courses for primary and secondary school students in Singapore.
1. Is Creative Writing Good for Kids?
Creative writing is good for children as it teaches them how to use their imagination. Children have a vivid imagination and will enjoy coming up with different storylines and characters. Through the use of creative writing, children can express themselves using the English language, which is also good for their emotional development and maturity.
2. What are Good creative Writing topics?
A good start is to write about what you know. Students can start by writing about things that are familiar to them, such as school or family. Then, students can move on to more complex topics, requiring them to use their imagination about events which would be unlikely to happen in real life, such as a fairytale or an adventure story. Older students can write descriptive essays about being in a situation or about more abstract concepts, such as regret.
3. How to Begin a Story?
A good story should have just the right amount of exposition to illuminate the setting and the characters for the reader without giving away the entire plot. The story should begin where it is relevant, and the general gist of the situation should be outlined. The writer should know how to move the plot along from where they start easily, and the story should flow logically.
4. What are the Basic Steps in Creative Writing?
A good first step would be to plan out the story – it is important that the story follows a Plot Curve which has a logical sequence of events and a clear conclusion. The main and supporting characters should be clear – there should not be a whole village of characters – just enough to further the plot. Moreover, the central conflict of the story should be clear.
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